If you like Massive Attack, you’ll love A World Lit Only By Dub by Godflesh.

HOW HEAVY CAN SOUND GET!? Few artists have left a more profound mark on the evolution of heavy music than Justin Broadrick, and with this record Godflesh revisit their 2014 comeback album, but this is not a traditional remix album - this is a journey into the heaviest elements of dub, industrial, and metal all at once. It’s dirty, mechanical, and hypnotic, pulling from the deepest corners of dub’s lineage but fused with the industrial metal intensity that Godflesh helped pioneer. If you’re looking for sheer heaviness, not in the sense of speed or aggression, but in pure sonic force, A World Lit Only By Dub is an incredible exercise in pushing sound to its limits, like standing inside a vast, decaying factory. At any moment, you might find yourself in a grinding, mechanical churn, the beats crushing down like iron slabs slamming together. Elsewhere, the beat drops out entirely, leaving cavernous negative space in its wake. Then, out of nowhere, a vast synth will flood the space like a hammer to the skull.

A World Lit Only By Dub is an album made for massive soundsystems, where every detail can fully envelop the listener. The bass rumbles, stretching deep into the gut and vibrating through the bones. The production isn’t a layer of polish - it is the record, an exploration of how far sound can be pushed, sculpted, and reshaped. There is no other artist that could have pulled this off in quite the same way.